Residents — PRAKSIS

2018

Auli Laitinen

 
 

Auli Laitinen is a jewellery artist based in Stockholm, Sweden. She is interested in contexts involving collaborative thinking and ideas including maker, wearer and viewer. Laitinen uses text, textile, and ready-mades to explore contemporary adornment. She sees jewellery as an active art form, whereby willing exhibitors carry signs of the makers ideas. Ideally, the wearer is engaged with the concept and aesthetics, and encourages conversation around what they wear.

Laitinen's work has been exhibited nationally and internationally since her graduation in 2000. She has received numerous grants and is represented at the National Museum in Stockholm and the Röhss Museum in Gothenburg, Sweden. She occasionally. teaches.

You wear, you watch the wearer, and you watch the wearer being watched.

- Auli Laitinen               

Mathew Lacosse

 
 

Mathew Lacosse (b. 1990, CA) is an artist and organiser whose work reevaluates and embellishes both architectural and natural space—its components, histories, and potentials. He holds a BFA (Hons) from the University of Manitoba (2018) and is currently living in Oslo.

Lacosse has exhibited at Gallery 623 (Solo, Winnipeg), Platform Centre for Photographic and Digital Arts (Winnipeg), and curated exhibitions at the Winnipeg Architecture Foundation, GoSA, Nuit Blanche Winnipeg, and others. His writing has appeared in SCAN Journal and rip/torn magazine.

Image 1: Between Two Bridges, Wild Grass, 2016

Image 2: Separation, Reclaimed Spruce and Fir, 2017

Image 3: SOFA Students Association, Spectator / Boundary Net, Exhibition for Nuit Blanche in Winnipeg, Canada. 2017

Kjetil Detroit Kristensen

 
 

Kjetil Detroit Kristensen (b.1981) is an artist based in Oslo, Norway. He is currently occupied with his ongoing contemporary post-studio practice, interest for self-initiated venues, performative strategies, site (and situation) specific projects, pseudonyms, monochromes and polar bears. And also a belief that public art and democracy somewhat are the same, since the one thing cannot function without the other.

Kristensen is founder of the artist-run laboratory for art & public space Detroit Kunsthalle and co-founder of the organisation and collective September Split. He co-founded the collaborative curatorial platform and professional skateboard-art-team Contemporary Cruise Crew as well as the artist-run studio space VORTA at Lokomotivverkstedet in Middelalderparken, Oslo.

Kristensen holds a BA from the Tromsø Academy of Contemporary Art (2011) and a MFA from the Oslo National Academy of the Arts (2018). He has exhibited at Nebbelux, Fredrikstad; Gallery SØ, Copenhagen; Trinosophes, Detroit; Studio17, Stavanger; space 4235, Genova; The NY Art Book Fair, New York; MOCA - Museum of Contemporary Art, Haikou; Rogaland Kunstsenter, Stavanger; Tromsø Kunstforening, Tromsø; Akademirommet - Kunstnernes Hus, Oslo; Kurant Visningsrom, Tromsø; Occupy Landscape, Stavanger; Dronning Sonja KunstStall at The Royal Palace, Oslo and Festspillene i Nord-Norge, Harstad among others.

Gereon Krebber

 
 

Sculptor Gereon Krebber studied at the Kunstakademie Düsseldorf and the Royal College of Art, London, and has exhibited extensively since the early 2000s. His work has featured in solo and group shows in Los Angeles, New York, Berlin, Cologne, Dusseldorf, London and elsewhere, and he has received commissions to develop public work in Bonn, Bochum and Viersen (DE). Awards received include the UK’s Jerwood Sculpture Prize (2003) and the Wilhelm-Lehmbruck-Stipendium (Duisburg, 2009).

His working processes probe questions about sculpture as a discipline in relation to site, time, language, communication and the body, and extend across a highly experimental range of media, including writing and speech: for example, via the Laberflash, a new form of performance that he has developed, in which participants’ bodies, voices and thinking processes become unexpected new media for sculptural experimentation.

Ayesha Jordan

 
 

Ayesha Jordan is a multidisciplinary performance artist who often uses characters and stories to create indelible moments for cerebral and visceral experiences. Jordan’s characters each represent a facet of herself and act as a tool to playfully disguise herself and to uniquely connect with guests. Much of Jordan's work is about audience engagement, bringing participants as close to the work as possible – creating moments, tasks, and prompts allowing the opportunity to engage with the performer, as well as with fellow audience members.

Some of her previous performance events include Shasta Geaux PopCome See My Double D'sEnter & Exit: Playing HouseEnter & Exit: Family ReunionInter 1-to-1, and In the Tube. Other works include video projects Living Room Dance Breaks, Drunk & Famous, as well as a host of other songs and videos. Jordan has been seen as an actor in the Broadway production of Eclipsed by Danai Gurira and directed by Liesl Tommy, Home by Geoff Sobelle, Failure Sandwich and Ludic Proxy, by Aya Ogawa, Platonov: Or the Disinherited by Jay Scheib, and Stairway to Stardom and Harold I Hate You by Cakeface. She has also been featured in video work and photography by visual artist Carrie Mae Weems. 

Elvira Dyangani Ose

 
 

Elvira Dyangani Ose is Director of The Showroom, London. She is currently affiliated to the Department of Visual Cultures at Goldsmiths and the Thought Council at the Fondazione Prada. Until November 2018, she will serve as Creative Time Senior Curator. Recently she was part of the curatorial team of the Biennale de l'Image en Mouvement 2016, and was curator of the eighth edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015.

Previously, Dyangani Ose served as Curator International Art at Tate Modern (2011 – 2014), Curator at the Centro Atlántico de Arte Moderno and the Centro Andaluz de Arte Contemporáneo, as Artistic Director of Rencontres Picha, Lubumbashi Biennial (2013), and as Guest Curator of the triennial SUD, Salon Urbain de Douala (2010). Dyangani Ose has published and lectured on modern and contemporary African art and has contributed to art journals such as Nka and Atlántica.

Bianca Hisse

 
 

Bianca Hisse (b. 1994) is a Brazilian artist based in Tromsø, Norway. Her practice traverses performance and visual arts, exploring dislocations within social systems, collaborative circuits or interdependent arrangements, and often looking on how relational structures can be affected, sustained or destroyed by its own dynamics.

Hisse has presented work at Centro Cultural São Paulo; OC Oswald de Andrade; Casa Líquida (São Paulo, Brasil); Kulta Scenekunsthus; Galleri Snerk (Tromsø, Norway); Frystiklefinn Theater, Iceland; and others. Bianca holds a BA in Body Arts from the Pontifical Catholic University of São Paulo and is currently taking her MA in Contemporary Art at Kunstakademiet i Tromsø.

Phoebe Davies

 
 

Phoebe Davies is a Welsh artist and researcher, presently based at Somerset House Studios in London. Her practice investigates people’s perceptions of their social framing, and she frequently uses collaboration, collective action and Do It Together strategies to make work with individuals, groups and communities.

Through her work Davies often finds herself referencing and exploring collaborative models of working across different social and cultural sectors. Recently, she has investigated ideas taken from areas as disparate as basketball, feminist organisation, science fiction and methods of organic farming.

Recent projects have led  her to work with sex educators, secondary school students, elderly residents in care homes, sports teams and DJs as well as art spaces and institutions, including Tate Britain and Tate Modern (London), Whitechapel Gallery (London), Arnolfini (Bristol), Fierce Festival (Birmingham), South London Gallery (London), Wysing Arts Centre (London), Steirischer Herbst (Graz, AUT), Assembly (Portland, USA) and SA-UK SEASONS 2015 (Johannesburg, ZA).

The final forms of Davies’s work are project dependent, and have included live performances, video, audio, print works and constructed social spaces. She currently co-facilitates three research groups: Bedfellows, a radical sex re-education research project; Synaptic Island, a London-based womxn and non-binary DJ collective; and Art is Action, a UK-based social practice research group. In 2015 she was awarded the British Council’s Social Practice Fellowship for the International Cultural Exchange U.S.Program, and she is currently supported by Syllabus III, an UK-wide alternative peer-led learning programme for artists.


 

Selected extracts from A Navigation by Phoebe Davies and Nandi Bhebhe, 2017. [Please listen with headphones/speakers, as audio is sensitive]

Marte Dahl

 
 

Marte H S Dahl (b. 1989, NO) is an artist based in Oslo. She holds a BFA from the Academy of Fine Art, Oslo (2018).

Her works revolve around themes such as the body, movement, material, feminism, honesty and desperation, mostly taking the form of live performance and video. In working intuitively in front of the camera in a clean space, with a few rules or props, she creates a space in the meeting between the object, space, movement and body, allowing anything to happen.

She explores how one can be drawn to one’s aversions, using her own as inspiration when working with projects. She has exhibited at Sommerøya Music Festival, Rom for Kunst og Arkitektur, Galleri Ramfjord and Akademirommet.

Image 1: uten tittel, 2018, Video installation, during graduation show “Neste Næste Nästa”, Kunsthøgskolen i Oslo. (photo: Istvan Virag)

Image 2: Still from video, uten tittel, 2018

Image 3: Still from video documentation of performance "Recital No. 1", 2017 (photo: Mari Storm-Gran)

Juan Covelli

 
 

Juan Covelli is an artist living and working in London. His work has focused on new materialities generated by the digital era; in particular, on the dynamics and approaches of the physical within the digital world. In the last few years, he has been exploring the relationship between technology, heritage, archaeology and digital colonialism. In his execution, he employs photography, video, 3D printing, coding, and data streaming, where data manipulation of the image is used to produce installations, as well as web-based works.

Recent shows include: How to dust the surface (2018) Warrington Museum & Art Gallery, Warrington, UK; Life 2.0 The wrong Biennale (2017) Online; Neixcuitilamatl (2017) ADM Galería, México City, México; Connecting Columns (2017) Kochi-Muziris Biennale, Kochi, India; Moscow International Biennale for Young Art (2016) Moscow, Russia.

Emma Bäcklund

 
 

Emma Bäcklund is a Swedish multi-disciplinary artist based in Berlin and London. Working with photography, performance, sculpture and writing she explores the body, its boundaries and consequences of its environment. She investigates social systems, power relations and cognitive impact on the physical body. While questioning preexisting structures, habit and gesture she strives to invent unexplored patterns of form, movement and thinking processes. The physical relationship is essential in her process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject.

Emma received her MA in Photography from the Royal College of Art (2017) and her BA in Photography from London College of Communication, University of the Arts London (2015). Her upcoming solo exhibition Clench in Leeds (10 - 17 Oct ) explore contradictions in meaning between materials in relation to body, mimicry and power relations.

Tone Bjerkaas

 
 

Tone Bjerkaas, born in 1987, lives and works in Oslo and her birthplace Tromsø. Bjerkaas' works with clothing and textile based craft to explore the fields of fashion, art and political activism.

Bjerkaas is currently situated at VORTA atelier in Middelalderparken, where she is a member of EUFORISK the collective for experimental club culture, as well as working as designer for the art & public space project Detroit Kunsthalle. Last year she received a grant from SNN-stiftelsen to launch her first un-gendered clothing collection. Bjerkaas holds a BFA from Gerrit Rietveld Academie (2015) and is a MA candidate at the Oslo National Academy of the Arts due to graduate in 2020.

Lara Ögel

 
 

Lara Ögel (born in Izmir, 1987) is an artist based in Istanbul. In her practice she uses a variety of mediums from collage to video. Her works develop from individual and universal concerns and take form through subtle, emotional, site and context aware installations.

Recent solo shows include; İmtidad, Galata Greek School Open Library, Istanbul (2018), Come Back! All is Forgiven, Protocinema, Paris (2016), The Happy Average, Öktem&Aykut, Istanbul (2014). Selected group shows; Restless Monuments, Zilberman Gallery, Istanbul (2018), Driftwood, or how we surfaced through currents, Athens (2017), Past, in Each of its Moments be Citable, DEPO, Istanbul (2016).



Image 1: Come Back! All is Forgiven, Installation view, Protocinema, Paris, 2016
Image 2: baba!, installation view from Restless Monuments, Zilberman Gallery, Istanbul, 2018
Image 3, 4: houses were rooms, I had forgotten (variation II), Driftwood, or how we surface through currents, Athens, 2017


© 2015-2021 PRAKSIS / Registered Organisation 915 733 417



Partially funded by: